Broken Pieces

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Showing posts with label AFN Clarke. Show all posts
Showing posts with label AFN Clarke. Show all posts

The Jonas Trust Deception by A.F.N. Clarke @AFNClarke

Wednesday, January 29, 2014

The Jonas Trust Deception

by AFN Clarke

AFN CLARKE is the author of 8 books, including the best selling memoir CONTACT, that was serialized in a British newspaper and made into an award winning BBCTV film.  His latest novel, The Jonas Trust Deception, is a Thomas Gunn thriller and follows the success of The Orange Moon Affair.  Readers have called it “classy, complex and cunningly compelling” and a “powerful force in the thriller genre”.  In solving the mystery of an ongoing conspiracy involving his old friend Morgan, Thomas Gunn, ex-Special Forces, takes an action so shocking and bold, that even his team fear he’s lost his mind.  The question is, has he?  To get a taste of things to come, here’s an excerpt from the book.  And for more information visit www.afnclarke.com or the Amazon Kindle store.

There is something so totally desolate about sitting in a prison cell staring at the blank grey walls that, unless you’ve experienced it, you’ll never understand. There is a finality and hopelessness that is almost beyond comprehension. A despair that sucks at your soul. My salvation was that I knew that my stay here was going to be short-lived, but what the future held was one big question mark. I had the distinct feeling somebody had put a ring in my nose and was leading on a mystery tour with more questions than answers.

Left alone with just the usual sounds of dissatisfied inmates, clinking keys and slamming doors for company, I thought back to the frantic last few days.

Confusion would be an apt description of my state of mind.

What facts could I scramble together?

Several dead bodies at Morgan’s ranch.

A small but ruthless Mexican Mafia gangbanger, with the unlikely nickname of ‘El Cobra Poco’, who seemed as if he could be a strange ally.

And the mysterious Robert Sutherland.

What other questions remained?

There were many, starting with who would have wanted to kill Morgan? Everything went back to my request for her to investigate the financial dealings of the Griffin Trust and its Chairman Ted Lieberman.

How was the Mexican Mafia involved if what Sutherland said about Morgan working for him was true?

I could just lie here all night long and create imaginary scenarios, but that wouldn’t supply any answers, so I closed my eyes and concentrated on emptying my mind.

Sleep was what I needed.
It must have been two hours after the jail cell lights went out, that the goons came for me. Dragged me off the bed and frog marched me down the corridor to the back of the jail and down narrow stairs to a basement garage without saying a word. There was a nondescript cream coloured painter’s van waiting with the rear doors open, and I was unceremoniously bundled inside.

THE JONAS TRUST DECEPTION

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Genre – Thriller

Rating – PG-13

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The Jonas Trust Deception by A.F.N. Clarke @AFNClarke

Tuesday, December 10, 2013

THE JONAS TRUST DECEPTION
The Jonas Trust Deception, another Thomas Gunn thriller by bestselling author AFN Clarke, follows The Orange Moon Affair, a “hard to put down”, “5-star novel by a 5-star author”. Thomas (ex-Special Forces) goes on high alert after a desperate message from his journalist friend, Morgan. She’s in danger. But where? And why? Rushing to her ranch he finds it being torn apart by a highly-trained female assassin of East European descent, with a mysterious butterfly tattoo on her neck. An image that sends his mind reeling. Dread seeping into his soul.
In her ongoing investigations, Morgan may have uncovered something even more explosive and far-reaching than the Orange Moon conspiracy.  If so, her enemies will want both her and her information destroyed. Racing to follow tangled leads, Thomas and his girlfriend Julie are thrust into the deadly path of Mexican drug cartels, corrupt politicians, unscrupulous financial brokers like Jonas T Purdue, the FBI, the UK intelligence services and their arch nemesis Marika Keskküla. What deception binds these unlikely “players” together? What’s their power struggle really about? And even more personally disturbing, why the constant links back to a secret mission in Afghanistan, that Thomas has tried so hard to forget?
Outraged by the feeling of constantly being “played”, Thomas decides to turn the tables on the faceless “puppeteers” by taking an action so bold, so dangerous, and so unexpected, that even his team fear he’s lost his mind. Has he? Or can he expose the “vermin” at the top and finally eliminate them forever?
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Genre – Thriller
Rating – PG-13
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Contact by AFN Clarke

Wednesday, August 21, 2013

Brian's cursing over some admin hiccup in the otherwise perfect running of the company. Hookey, like me, is collapsed in a chair, snoring. My eyes now closing. Tiredness creeping over me. Drifting into half sleep...

Tired and wet! I've been here before! Strange thoughts. Half unconscious flashback images stealing around the murky corridors of my mind. Half back in Belfast, the other here in cold wet Brecon.

“Come on! Get up! Move your ass.” I'm yelling at a mud-and-rain-soaked recruit, trying to haul himself off the ground.

“Get that fucking rifle barrel out of the mud, you stupid shit.” All this above the crack of S.L.R.s and the shouts of my N.C.O.s at the rest of the section. The ground is uneven clods of thick grass, hidden holes and pools of water. Ahead a fifteen-foot-wide stream. There's a gasp as the crow in front of me hits the ice-cold water and wallows around up to his chest, weighted down by thirty pounds of equipment.

“Come on you fairy this isn't a swimming pool! Get across!" It's the second time I've been across the stream, so I'm already soaked through and freezing cold. There's a certain delight in watching somebody else do it. To the right an ashen faced crow lying on the ground, his rifle moving in a lazy arc.

“Smith, you bastard, you're supposed to be covering. Get that rifle firing.” He looks at me and for a brief second thinks of unloading the entire magazine of live rounds into my chest. The N.C.O. behind hits him with a large lump of wood and amid screams of abuse, Smith hauls himself off the ground and wades through the water.

Despite all the abuse the lads are working well, moving carefully but quickly and, apart from the occasional desire to give up, getting on with the job in hand. The “job” is to capture a sniper position up on the hill in front of us, the position being “held” by wooden targets. The back brace on one target is shot through and starts to topple. Before it hits the ground a burst from the machine gun, over on the right flank, smashes it to tiny pieces. Jones, the crow in front of me, zigzags forwards while Smith covers him. Smith is approaching exhaustion and starting to give up. He fires, and the round smacks into the ground inches away from Jones' left boot, whines away over the hill.

“Smith you little shit, what the fuck are you trying to do?” He looks a little shaken. “Bill, sort that cunt out,” I shout to Cpl. Conway. Just one more incident to talk about once the exercise is over.

The rain is coming down harder now, the icy drops lancing into my face, stinging; sodden beret clamped to head, smock twice its weight with water. This is the most dangerous part of the exercise. Tired crows nearing the end, bunching together, firing at the targets now only twenty-five metres ahead.

“Apply safety catches and skirmish through the objective.” I try and counter the noise. The N.C.O.s catch the call and the firing ceases. Euphoria that they have reached the objective takes over and the crows skirmish through, screaming and cursing. I hand over to Cpl. Conway, who carries on with the reorganisation and consolidation of the position, and walk over to a small outcrop of rock at the top of the hill. Looking back across the valley to a small wood about two hundred metres away, three figures emerge and start running with the awkward gait of men laden down with heavy equipment. Every so often one of them trips and stumbles over the rough ground, but they keep on coming. As they get closer I can hear the rasping pants as they struggle for air, their kit clunking and squelching, bruising their hips.

L.Cpl. Hedges brings the gun crew in on my signal and positions them. I feel good.

The sound of singing and splashing carries up through the valley and figures appear at the door of the hut to watch the procession. Standing out in the pouring rain, cold and wet with huge smiles on their faces, shouting obscenities together with derisive gestures. Four months ago, they were just a bunch of out-of-work unfit youths who fancied themselves as paratroopers. Out of the seventy that originally formed the platoon, there are thirty here on the range. And they are all fit, healthy and happy. Sometimes.

Time to stop the daydream and get the last section through. So it's trot down the hill, wade through the stream and nonchalantly stroll up to where the section is waiting. Fully kitted out. Laden down with ammunition and other equipment. Now slightly nervous as the moment of truth has finally arrived.

“O.K. lads. Listen in. Safety procedures...” I run through the briefing, give them the scenario and off we go again. My platoon Sgt. just grins and disappears back inside the hut, muttering something about having to get on with the admin. His words echo strangely in the doorway.

“The Ardoyne was...”

“Ardoyne...” Someone in the background talking. Waking me.

The word is emotive enough in Army circles. That such a small area could cause so much suffering and hardship is barely credible. Before we arrived in the place, no police had been into the area, no taxes had been paid, rates, electricity bills, nothing. How big? It was split into two. The old Ardoyne and the new. The old is about three hundred yards long by the same width, crowded with terraced housing. The new is slightly bigger with a more modern standard of terraced housing. Surrounded by OPs, five in all, with nearly two hundred and fifty men patrolling it by day and night. Still the shootings occurred. Ambushes, bombs thrown. Delightful little spot to spend four or five months of your life.

Awake again. Mouth like the inside of a fisherman's boot. Numb joints, numb mind. Toms standing in the dull glow of the light bulb. Rifles in hand, slings attached to wrists. Blackened badges on battered berets. Listless shuffling, mindless banter. I file the planned route in the Ops Room and then we go out into the clammy cold midnight air. It's stopped raining. Score one against Sod's Law. Cover across the Crumlin Road. Slippery street and few cars. Up by Fort Knox and slip quietly and unobtrusively into the Ardoyne.

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Genre – Autobiography / Biography & Memoir

Rating – 18+

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Website http://www.afnclarke.com/

The Orange Moon Affair by AFN Clarke

Saturday, July 20, 2013

TWO

Belfast – Six Weeks Earlier

It was an odd experience to look down on the dead face of the man who had once been my father. Not that I was unfamiliar with seeing dead bodies, I'd seen too many in my previous job, it's just that I never expected I would be staring at him.
A single shot to the forehead had killed him instantly. The hole small and dark, not marring the rugged good looks of the man, but I knew that the back of his head would be non-existent. A round fired at close range from a powerful modern 9mm semi-automatic doesn't leave much behind. I felt neither revulsion nor sorrow, somehow those emotions didn't seem to fit with the sterile scrubbed surroundings, and perhaps he would have smiled and approved of my stoicism, or maybe just shaken his head and wondered what had happened to me over the years we hadn't spoken. I knew the lack of emotion I felt meant I had not lost my edge, that I was still a soldier with all the instincts that had been honed in combat. But this wasn't combat. This was murder.
"If you would please sign for these, sir." The white-coated official stood with my father's belongings in an incongruously cheap plastic bag. I duly signed. The formalities over, it wasn't long before I was loading the body bag into my Cessna Citation Mustang 510 jet at Aldergrove Airport. An undertaker had been instructed to meet me at Norwich airport with an appropriate coffin, and until we landed it was just myself and the black rubberised bag lying on the cabin floor. Yet another reminder of my past, and images of dead soldiers insinuated themselves into my thoughts.
As the jet burst through the top of the clouds into bright sunlight, climbing to a cruising altitude of 31,000ft, my mind drifted back to what I thought was an ideal life in paradise.
Lying in the cabin on my catamaran, a lone fifty-seven foot Fountaine Pajot anchored in the crystal clear blue waters off the north western tip of the Mediterranean island of Gozo, waking from a disturbed sleep with one of those unsettling disconnected thoughts that the shit was going to hit the fan in a big way, was not the best way to start the day.
You know the feeling, that odd clawing at the pit of your stomach. A slight headache even though you'd stayed off the booze the night before. I hadn't slept well, but that was nothing new, and it wasn't the reason I felt like crap. What disturbed me was that the odd, undefined, premonition had no logical reason to be in my head.
Cold water and the sight of Julie standing naked on the aft deck washed away the uncomfortable feeling that crowded across my mind. She showered with fresh water from the transom faucet, head back eyes closed, then stood letting the sun dry her bronzed skin as the water ran in rivulets between her perfect breasts.
“I can feel you staring, Thomas,” she laughed and squeezed the water from her long blonde hair, her light New England accent drifting gently on the slight breeze.
“Can't think of a better way to wake up,” I said, as the last images of the bloodied bodies of my colleagues faded from my ongoing nightmare. Eighteen months and it still seemed like yesterday. “Coffee?”
“Juice please. Pineapple and orange.”
I took the jug of freshly prepared juice from the fridge, and popped an ice cube into a tall glass as the coffee percolator started bubbling on the stove.
“You had another nightmare last night. Scared the hell out of me,” her voice drifted through from the cockpit. “Thrashing about and shouting.”
“Really? I don't remember.” I did but there was no sense in talking about it. I carried a mug of coffee and the juice into the cockpit.
“Thanks.” She took the glass and drank a third quickly, and tossed her head back savouring the morning. “I'd like to go to the festival in the village tonight. Maybe we can eat at Lorenzo's.”
“Sounds good.”
“And before that I thought we might take the horses out for a trot, have lunch at Godwin's cafe...” she paused and reached her hand to my face, smiling wickedly, “...and then make love in our favourite grotto.”
“Got it all worked out, don't you?”
“Of course.”
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Genre – Thriller
Rating – PG13
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Orangeberry Book of the Day - An Unquiet American by AFN Clarke

Sunday, July 7, 2013

DAY 3 – MARCH 2008

FCTIS INTERROGATION CENTRE - ROOM 2

Rufus Reed stared at the light as if trying to assimilate it into his soul. To become the light and block out every other stimulus that had been flirting with his sanity. The after effects of the drug they had given him had finally worn off, leaving a lingering feeling of disconnect with the real world.

‘What difference would it make in the totality of time?’ he thought idly as the light burned deep into his mind, shining onto memories that had long been left in the dark recesses of a life few people would ever know. ‘This is an interesting experience and what matter if I should die as a result? I’ve lived well, loved deeply, fought hard…’ he paused his thinking and sighed. ‘But perhaps I haven’t been the father I should have been.’

Normally he was not given to reminiscing about the past, except perhaps to enhance the quality of his work, because the future always had so much to offer in the excitement of the unknown. Besides, he knew that a few unforgivable mistakes, some bad behavior and two ill-advised marriages, had no redeeming qualities under the harsh light of introspection. ‘Just what kind of ridiculous truth serum did they give me,’ he thought, knowing that the drugs were more successful in novels than in real life. ‘Except that stuff the Russians were supposed to have come up with, Litvinenko called it SP-117 before he was killed by radionuclide polonium-210. And he should have known because he said he used it himself when he was working for the Russian Federal Security Service. Ah well, no matter, my life’s an open book.’ The silly reference to his job as a novelist made him smile as tried to clear his head. He had no memory of anything from the moment he felt the needle in his neck, just glimpses of shadowy figures and the boring murmur of his own voice, until yesterday when he began to emerge from his drugged state.

He tried to remember the events from the time of the attack in Marin to this moment, but only saw ghostly images in his mind as if he was caught in a living dream. ‘Perhaps if I can go with the dream I can piece together the puzzle. Figure out what I said, or didn’t say,’ he thought, rationalizing that fighting the remembered images and trying to sort them into a logical pattern would not reveal the truth.

The CIA was well versed in truth serums, the use of LSD, and hypnosis from their experiments during the 1950s, but what other chemical tools were in their box-of-tricks. Reed was sure he had caused his interrogators a great deal of frustration, which was why they were letting him drift back to reality so that they could progress in a more traditional way.

‘This is combat,’ he thought as his mind slowly cleared. 'There is always a certain feeling of inevitability about combat, a feeling that you are already dead, and that surreal conviction helps get through the fear, the terror of killing and watching friends die.’

And like combat, there were certain tactics, manoeuvres and tricks that could keep the enemy guessing. It didn’t necessarily change the outcome, but it made their job much more difficult.

Rufus Reed liked that tiny sense of control, that rebellion against the inevitable.

‘According to Sun Tzu,’ he mused, ‘All warfare is Deception and If your opponent is of choleric temper, seek to irritate him. Pretend to be weak, that he may grow arrogant’.

Reed wondered if his tormentors had read ‘The Art of War’. He had been in this position before, and the training of so many years ago stood him in good stead, but he idly wondered why he should fight instead of just succumbing to their wishes.

“You wrote that you 'knew’ that Saddam Hussein did not possess nuclear weapons. How did you know?” The voice was as reasonable and insistent as always.

“I was born….” Rufus began.

“Answer the question,” the Interrogator interrupted impatiently.

Rufus sighed disappointedly, held the Interrogator’s gaze and allowed a slight smile to twitch his dry lips.

“….Differently.”

“Really. But that still doesn’t answer my question.”

Rufus looked away from the light at the face in the shadows. It took a little time for the face to come into focus as the effects of the drug had slowed his reactions. When it did, it was a caricature American Military face; a clean-cut face with fleshy lips, and an impossibly chiseled jaw.

Rufus smiled inwardly. ‘An amateur posing as a professional,’ he thought with a glimmer of satisfaction. ‘A True Believer. Patriotic to the core, but under-educated and inexperienced. Why is it that the most Powerful Nation on Earth is politically and diplomatically the most ignorant?’

As he studied the face behind the light, his peripheral vision took in the rest of the cell. The Interrogators euphemistically called it a room, but it was a cell and each day he formed a more cohesive picture of what might be outside these walls.

The room was obviously East European. Rufus could smell the mould in the rough cheap wall plaster tinted with ageing colors of green and pale yellow, and idly wondered why Government interior designers the world over, seemed to think that two tone wall colors were in any way desirable.

Perhaps he was in a Russian satellite country.

‘No not Russia, a former Russian province.’

The window behind him was narrow and quite wide, punctuated with two cheap heavy galvanized steel bars that rusted in the damp winter, beyond the bars mildew formed on the concrete that blocked any view there might have been. The heavy steel door in front of him, was set into the rotting walls, and he smiled inwardly at the thought that perhaps the people who constructed this prison imagined that the door itself was deterrent enough for a determined prisoner. But then maybe this had been the house of an aristocrat long since deceased as the Russian revolution swept across Eastern Europe. The mildew was a clue, and he smiled at the thought that the room was in a cellar and the bricked up ‘window’ was a bluff.

‘It is going to be very undignified, dying in a foreign cellar at the hands of sadistic amateurs.

He brushed the musings away.

“You have the rudeness and arrogance of youth, and none of the finesse of experience,” Reed said quietly. “I was born in a foreign land, just after the Second World War…”

“We know that. Kowloon, Hong Kong.”

The Young Interrogator felt secure in the knowledge he had digested for four days before starting the interrogation and that he had control. The experimental drug they had injected Reed with produced nothing more than garbled reminiscences, so now it was time to move to the next phase of interrogation. It was difficult because the man opposite him, this ‘Master Terrorist’, had the ability to shut him down with a few, well-chosen, words. He could feel the sweat beginning to pool in his lower back and soak through his underwear, and feared it would appear as a small ‘V’ shaped stain on his immaculately pressed pants. It was a fear he had never been able to shake. An irrational fear based on the thought that anyone he met was secretly scrutinizing him in detail and would surely notice that telltale sign of his lack of confidence.

Rufus Reed leaned forward and stared into his eyes, and saw the uncertainty.

“You know nothing,” Rufus said slowly. “You only know what you think you know, but you know nothing. You have a list of dates and times, of names and places but that tells you nothing. Only that I existed in those places at those times. You do not have the thoughts, the emotions, the smells, the experiences of touch and sensation. You do not have the ability to understand why something happens…..,” he paused again and waited, watching the young man’s eyes until they flickered down to the table, “…differently.”

The Interrogator tried to smile, feeling that maybe he could fool Rufus Reed into thinking that he was playing with him.

“We have everything you ever wrote,” he said with a dismissive wave of his hand. “We’ve studied your books, emails, everything.” He leaned forward as if explaining to a child. “We know you. We have all the facts,” he whispered and leaned back again smiling smugly, feeling a little more confident.

“The facts,” Rufus Reed said quietly. “What facts? Do you know what a man is thinking when he stares at a woman’s breasts? Could it be that he is a sculptor thinking of Venus, a predator thinking of rape, or a homosexual thinking of his mother? Or do you assume he is thinking what you would think and what you want him to think? What do you know when a man writes satire that is interpreted as literal truth? Fiction that is interpreted as fact? Know me? You know nothing. I can tell you more about yourself right now than you will ever know about me.”

There was a sudden fear in the young interrogator’s blue eyes. An unconscious flicker that Rufus was looking for, and the impossibly square cleft chin thrust forward antagonistically.

“I doubt that,” the younger man said aggressively.

“You were born in the mid west, your accent gives that away,” Rufus carried on smoothly. “Your father was probably a middle manager for a local company, Westinghouse maybe, and your mother a pillar of the PTA. You were a High School quarterback but failed to make a college team so you went into the military. After all, your Daddy was a cook in some training camp, maybe in Biloxi, never saw combat and voted conservative no matter what the issues were because that’s what ‘Good ole country boys do’. And whatever America did in the world was a-okay, providing it kept the dollars flowing in and you didn’t have to think about the poor Blacks down the road and starvation in Bangladesh, or that fact that you were ripping off the resources of the oil producing countries as fast as the tankers could sail. That’s what this country’s all about. Overthrow a democratically elected Government, put a Dictator in power and bribe him to give away his country’s wealth for a Swiss Bank Account and an apartment in the Big Apple. This is a pale copy of the Roman Empire with all of the self-centred, militaristic arrogance and yet none of the art. We let the Government do anything it wants as long as we don’t have to think about the consequences as we wallow in luxury.”

The Interrogator’s eyes widened before he recovered and attempted a weak smile that was supposed to impart denial. Rufus Reed allowed himself a moment of smugness before he went back to staring at the light, but not before he looked directly at the mirrored wall behind and to the right of the Interrogator.

“You want to know me, then listen. But I fear that you will not hear. It’s not in your nature. Any of you.” His eyes flickered back to the light.

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Genre – Mystery, Thriller & Suspense

Rating – PG

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Website http://www.afnclarke.com/

Author Interview – AFN Clarke

 

Have you considered anyone as a mentor? I consider my first editor John Blackwell at Martin Secker & Warburg, who published my first book, as my mentor. A quiet humble man, we became good friends and I respected him as an editor, a book lover and publisher. There was so much to learn from him and yet he always thought authors were the most important people in the publishing process, although I am sure that even his Nobel Prize winning authors would think that he was the most important person in the process. It was a great loss when he died suddenly of a heart attack.

Do you intend to make writing a career? Writing IS my career and I can’t imagine doing anything else.  I think it’s a career because it’s more than just something I do to earn money or pass the time – it’s a lifelong passion and activity that I nurture and grow and do everything I can to excel at and learn more about.  I hope each time I write that passion and growth shows and inspires my readers to read more and new writers to keep on writing and be even better.

What genre do you like writing most? I think the way I write is the way I live life – I’ve lived all over the world and experienced many different things and so that’s reflected in my books – I love to delve into many different genre, and use each genre to explore ideas from different perspectives.  For example, CONTACT, my first book, is a memoir of a soldier’s experience of combat – now my fiction books take me in a different direction – An Unquiet American is provocative political thriller; The Orange Moon Affair the first of a new suspense series; The Book of Baker series are satires which allow me to use humor to say things I could never get away with normally; Dry Tortugas is about the drama and fragility of family relationships; and the “horror” book Collisions explores PTSD and a mind becoming unhinged.  All different and yet all from my own experience and from my intense curiosity and desire to make sense of the many worlds around me.

What’s your greatest strength as a writer? I think my greatest strength is trusting my instincts and allowing my characters to write themselves into an intriguing story.  I never plot out my books from beginning to end, I just can’t write that way.  To me the characters and story have a life of their own that they reveal to me as I write – and so to touch a reader I need them to think, live, breathe and expand the way life does – never predictable, never scripted but something that grows and develops organically.  I guess it takes a bit of insanity to write this way, but it’s my way and for me it works.

How did you come up with the title? Contact was an obvious title that said it all – one hard cutting word that describes what the book is about – “contact” in a combat situation, “contact” with the so-called enemy, “contact” being the clash of my mind, body and spirit with a life threatening situation, “contact” between different values, ethics, world views and political agenda.  It’s simple, raw, evocative and visceral to me.

 

This new expanded edition of AFN Clarke’s bestselling and controversial book CONTACT is a raw, visceral, “no-holds-barred” account of combat from one of the men we paid to kill. When first published it caused a furor for its devastating honesty and chilling revelations.

Clarke vividly recounts his experiences of two tours in Northern Ireland (in Belfast and Crossmaglen) as a Platoon Commander with Britain’s elite Parachute Regiment during the blood soaked 1970′s. Soldiers from Iraq and Afghanistan comment on how relevant the book still is today, as the dangers, political agendas and religious roots underlying the conflict are eerily and heartbreakingly similar to their own more recent experiences.

Clarke takes us to heart of the action.  We feel what it’s like to live each day with senses on high alert, waiting to be ripped apart by the accuracy of a sniper or a well-hidden bomb.  We enter the private world of soldiers ordered to hold the lines in an ancient quarrel they have little affinity for, but whose consequences are deadly.  We experience their emotions, fear, courage, humor, bravado and the anguish of death.

This expanded edition continues from where the print version ended, revealing the untold nightmare Clarke lived through having nearly died, with half his insides missing, suffering from PTSD and being expected to return to a “normal life”.  A story of the scars of war that affect generations.  Of heartache, courage and hope for peace.

“I am an ex soldier who served in Northern Ireland during the Troubles and this is an excellent account of what it was like. I only wish we had an officer like Captain Clarke.” pm, 5 Stars Amazon UK“.. its honesty and passion cannot be denied .. Mr. Clarke has sent out a powerful and disturbing early warning signal.” Maurice Leitch, Daily Telegraph.

“..a major contribution to our understanding of war and how people act .. Contact is the work of a brave writer.” Kevin Toolis, Irish News.

“As a civilian it’s hard to imagine what’s it’s really like to be a soldier in combat but this book opened my eyes. I highly recommend it …” KTHuffy, 4 Stars Amazon USA.

CONTACT was reviewed by soldiers who served with Captain Clarke as verification of his recollections.  It was first published in the UK in 1983 by Martin Secker & Warburg, was serialized for 5 days in The Mirror and became an instant best seller. In 1984 it was published in paperback by PAN Books, by Schocken Books New York and made into an award-winning BBC TV film.  And in 2012 came the expanded ebook edition, which all these years later is still selling strong.  Readers outside the UK are invited to visit Amazon.co.uk for soldier’s reviews and comments.

AFN Clarke is a full-time author and writes fiction of various genre – fast-paced thrillers (An Unquiet American), poignant human drama (Dry Tortugas), humorous satire (The Book of Baker Series - Dreams from the Death Age; Armageddon; Genesis Revisited), psychological horror (Collisions); and the Thomas Gunn suspense series (The Orange Moon Affair) with more coming soon. Visit the Amazon Kindle Store or afnclarke.com for further information.

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Genre – Autobiography / Biography & Memoir

Rating – 18+

More details about the author

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Website http://www.afnclarke.com/

Book of the Day - The Orange Moon Affair by AFN Clarke

Wednesday, June 26, 2013

ONE


Mojave Desert – October 2012

Flying a helicopter requires a clear mind, concentration, balance and a delicate touch.

Flying a helicopter you are unfamiliar with, in the dark, with two nasty bullet wounds in a body that has not slept in thirty hours, is an exercise in surreal survival. I had ten hours flight time in this model MD 902 Explorer, so it wasn't total guesswork.

I made sure Julie was strapped in tightly and flipped on the switches. There wouldn’t be enough time to sit and let the engines warm up completely. We needed to get airborne before the local police showed up. In the distance beyond the factory building, where the car exploded in the arroyo, a pall of smoke billowed into the moon lit night sky.

Once I got the machine off the ground, stabilised and then flying on the heading Danny had given me, I asked Julie to call him and write down the co-ordinates of the destination, then talked her through entering the figures into the GPS navigation system while I concentrated on the instruments. All I had to do was make sure I didn't hit anything flying at an altitude of fifty feet across the desert, following the route on the EFIS from Mojave to Desert Rock airstrip, wherever the hell that was in the vast expanse of the Nevada desert.

As we flew, the rising sun glimmered just below the horizon to our left. Dark sky turning light blue just before the sun appeared as an orange-white ball throwing shadows across the desert. The distant terrain rose in craggy rock mountains, rising ever higher to about five thousand feet, and I had to fly the aircraft through the narrow gorges maintaining the pretence of a special operations training flight at ultra-low level.

“Can you see if there are any sunglasses in the side pocket,” I asked Julie, feeling my left arm begin to stiffen.

“Here you go.” Her voice sounded strangely distorted in my headphones. Or perhaps it was just my mind beginning to shut down as my body leaked valuable blood onto the seat from the wound in my side.

“Thanks.” I tightened the lock on the collective and flexed my left arm, ignoring the pain, just trying to get some feeling back into it. Estimated flight time was just under an hour and a half, and I wasn't confident of being able to last that long.

“I'm sorry I got you into this,” I said stupidly, as if what I said would make any difference.

“I could have said no.”

“But you didn't.”

“Nope. Don't ask me why, but I didn't.”

“Did you get the bug into the computer before they ambushed us?”

“I did.”

“Well at least one of us accomplished something today. How's your head?”

“Hurts like hell. How's your...?” she paused looking across at me. “Everything?” She laughed. A desperate sound hurled against a bleak outlook.

We hurt more than either of us could describe.

We didn't know what the future held for us, but we laughed anyway as the sun rose across the desert, and I banked the helicopter into the first of the rising mountain ravines.

After an hour throwing the helicopter through the narrow canyons and rocky gorges, I could feel my strength and concentration ebbing slowly away. But that seemed inconsequential in the surreal experience that was the excuse for reality.

Julie massaged her temples, and when she spoke her speech was slow and slurred. I knew she was concussed and slipping into shock.

By 'red-lining' the helicopters engines I could force more speed, but as the sun came up the temperature would rise, and everything could go very wrong very quickly.

But there was no choice.

I inched up the collective, dropped the nose and advanced the throttle a touch, watching the gauges creep toward the danger zone.

Waves of nausea blurred my vision, so I used the only tool I had to sharpen my mind.

Pain.

By wriggling in the seat I could press against the wound in my lower abdomen, not too much, but enough pain to sting my sagging consciousness into wakeful concentration. Now was not the time to sink into peaceful, blissful oblivion. I had a precious cargo to deliver, a woman I loved more than my own life.

At any other time, flying low level through the desert canyons as the sun rose above the horizon, would have been an extraordinary experience. One of those almost vivid adventures that stays in the memory forever. But I wanted this experience to be over as soon as possible.

Every part of my body and soul willed the airstrip into view.

Flying is a slow inevitability.

You know you're going to get there, and yet the more desperate you are to arrive, the more time drags.

Another rising ridge after fifteen minutes of undulating desert, and the sweat dripped down my face, arms and back, seeping into the wounds and causing more pain as my body salts stung raw flesh. I glanced quickly at Julie who sagged forward against the seat harness, semi-conscious, head flopping as the helicopter rose, fell, and banked through the ravines. I just wanted to take her in my arms, hold her and tell her everything was going to be fine, but now was not the time to drift into sentimentality, there was still the task of getting this machine on the ground.

The gauges swam in front of my eyes as I struggled to pick out the speed dial. That and the vertical speed indicator were my guides as we crested the ridge and Desert Rock airstrip lay in front of us just beyond a dry lake bed.

Was it a lakebed or a mirage?

I dropped the collective and pulled back slowly on the cyclic, slowing the aircraft down, establishing an approach to the runway. The speed bled off and I nosed down a little to keep the aircraft's forward speed at forty knots, but my eyes refused to focus properly, and darkness appeared at the corners of my vision as if I was looking through a telescope at an image that kept getting smaller. No matter what my mind was telling my body it wasn't responding, running out of blood and slowly shutting down.

But not before I got this machine on the ground.

Only a few more feet.

Maybe twenty-five, maybe thirty-five, maybe....

I didn't know anymore.

Then I saw the FIM-92 Stinger ground-to-air missile spearing up toward us from a far ridge.

My reactions were slow and for a fatal moment I watched the white smoky trail from the rocket motor arc its way through the sky. I pulled on the collective and kicked the anti-torque pedals to port, almost escaping the oncoming death, but the rocket slammed into the tail boom.

The earth spun in a lazy arc as the helicopter arched over backwards at fifty feet above the rocky desert as I lost control, spiralling to the ground, pieces flying in all directions, the only section remaining relatively intact being the forward cockpit, saved because the main rotor head deflected the impact.

There was no pain, just a smashing, grinding, splintering sound. I felt a violent lurch as my head slammed into the side door, then silence. Almost lying on top of me, held by her seat harness, Julie stared into my eyes, blood dripping from her nose and ears, trying to speak.

“Julie,” I gasped trying to reach up and touch her face, but my arm wouldn't move.

Car engine noises.

Voices.

I was struggling with consciousness.

With reality.

Where was I? What had happened? I didn't know.

Images from the past flashed through my mind.

My father's dead face.

Julie naked on the catamaran.

Julie. My Julie.

Then nothing.

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Genre – Thriller

Rating – PG13

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